Toutes peintures à l'huile d'Atkinson Grimshaw

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Painting(From A to Z)

Details

44675

A Lane by Moonlight with Twon Figures

mk174 1880 Oil on board 45.1x35.5cm

44610

A Mossy Glen

mk174 1864 Oil on board 54.7x65cm

44653

A Street in Old Scarborough

mk174 c.1877 Pencil 12.2x18.2cm

44659

A Street in Old Scarborough

mk174 1877 Oil on board laid on panel 42x26.7cm

44682

A Yorkshire Home

mk174 1878 Oil on canvas 81.3x122cm

44676

At Anchor

mk174 1893 Oil on board 23.5x47.6cm

1853

Autumn

Roy Miles Gallery, London, England

44624

Autumn Glory

mk174 1869 Oil on board 62.3x87.5cm

1864

Autumn Morning

Oil on canvas 20.00 x 30.00 in

44634

Autumn Regrets

mk174 1882 Oil on canvas 61x91.5cm

44665

Baiting the Lines,Whitby

mk174 1884 Oil on canvas 50.6x76cm

44616

Barden Tower,Yorkshire

mk174 1868 Watercolour and Bodycolour 39.4x54cm

44702

Barnes Terrace

mk174 1886 Pencil 11.4x18cm

44611

Blea Tarn at First Light,Langdale Pikes in the Distance

mk174 1865 Oil on canvas 35.5x45.7cm

44679

Boar Lane,Leeds by Lamplight

mk174 1881 Oil on canvas 48.9x76.8cm

44617

Bolton Woods

mk174 1870 Oil on board 76.2x63.5cm

32785

Bowder Ston

mk81 Borrowdale c.1863-8

32784

Bowder Ston,

mk81 Borrowdale c.1863-8

1859

Bowder Stone, Borrowdale

c1863-1888 157.48 x 211.02 in

44620

Burnsall Valley Wharfedale

mk174 c.1868 Watercolour with bodycolour and gum arabic 25.4x19.1cm

1854

Day Dreams

44640

Detail of Dulce Domum

mk174

44693

Detail of Nab Scar

mk174

44652

Detail of Scarborough Bay

mk174

44647

Detail of Two Thousand Year Ago

mk174

44633

Dulce Domum

mk174 1876-85 Oil on canvas 83x122cm

1855

Elaine

44656

Elaine

mk174 1877 Oil on canvas 82.5x122cm

1856

Elaine 2

1852

Endymion on Mount Latmus

1879 Oil on canvas 12.60 x 18.50 in

44677

Evening Glow

mk174 c.1884 Oil on canvas 28.5x43cm

44609

Fair Maids of February

mk174 1862 Oil on canvas 35.6x30.5cm

44643

Fiamella

mk174 1883 Oil on canvas 61x45.7cm

44660

Forge Valley,near Scarborough

mk174 1875 Oil on canvas

44612

From Nature near Adel

mk174 1861 Oil on board 37.5x28.9cm

44632

Full Moon Behind Cirrus Cloud From the Roundhay Park Castle Battlements

mk174 1872 Oil on board 43x54.5cm

44619

Ghyll Beck Barden Yorkshire Early Spring

mk174 1867 Oil on board 76.2x63.5cm

44683

Golden Light

mk174 1893 Oil on canvas 45.7x68.6cm

1847

Greenock Dock

Oil on canvas 11.50 x 17.52 in

44705

Half-Tide

mk174 1884 Oil on canvas 55.9x91.5cm

1860

Hampstead

1881 13.50 x 17.52 in

44646

Il Penseroso

mk174 1875 Oil on canvas 59.7x49.5cm

70392

In Peril

Medium Oil on canvas Dimensions 76.2 ?? 127 cm

44655

In Peril

mk174 c.1877-9 Pencil 12.2x36.4cm

44657

In Peril

mk174 Oil on canvas 81.3x119.4cm

44644

In the pleasure

mk174 1875 Oil on canvas 45.7x73.7cm

44623

Ingleborough from under White Scar

mk174 1868 72x91.5cm

1850

Iris

1886 Oil on canvas 31.89 x 48.03 in

44645

Iris

mk174 1886 Oil on canvas 81.5x122.2cm

44688

Knostrop Cut Leeds

mk174 1893 Oil on panel 15.9x36.2cm

44628

Knostrop Hall Early Morning

mk174 1870 59.7x90.2cm

44680

Knostrop Hall Leeds

mk174 1882 Oil on board 34.3x43.2cm

1861

Knostrop Hall, Early Morning

1870 Oil on canvas 24.02 x 36.26 in

44672

Leeds Bridge

mk174 1880 Oil on canvas 75x121.9cm

44697

Lights in the Harbour

mk174 1879 Oil on canvas 82.5x121.9cm

1848

Liverpool Custom House

Oil on board 7.01 x 15.00 in

44661

Liverpool Quary by Moonlight

mk174 1887 Oil on canvas 61x91.4cm

1843

Liverpool Quay by Moonlight

1887 240.16" x 359.84" Private collection

44664

Liverpoool from Wapping

mk174 c.1875 Oil on canvas 59.7x88.9cm

1846

London Bridge, Half Tide

1884 Oil on canvas 22.05 x 35.83 in

44635

Meditation

mk174 ca.1875 Oil on canvas

1851

Midsummer Night

1876 22.83" x 35.04"

44695

Mr Flowers Sketch

mk174 12.2x18.2cm

44639

My Wee White Rose

mk174 1882 Oil on canvas 76.5x48.2cm

44694

Nab Scar

mk174 1864 Oil on board 40.6x50.8cm

1844

Nightfall Down the Thames

1845

Nightfall Down the Thames

1880 Leeds City Art Gallery

44669

Nightfall down the Thames

mk174 1880 Oil on board 40.2x63.1cm

44699

Nightfall in the Harbour Scarborough

mk174 1881 Oil on canvas 58.4x91.4cm

44686

November Morning

mk174 1883 Oil on canvas 50.8x76.2cm

44696

November Morning on the River Wharfe

mk174 1866 Oil on canvas 69.8x90.2cm

1858

October Gold

1889 23.23 x 17.52 in

44703

On the Thames Barnes

mk174 1886 Oil on canvas 61x91.5cm

44673

Park Row,Leeds

mk174 1882 Oil on canvas 76.2x63.5cm

44662

Prince-s Dock Hull

mk174 1887 Oil on card 30.5x49.5cm

44674

Reflections on the Aire On Strike

mk174 1879 Oil on canvas 81.2x121.9cm

44671

Reflections on the Thames Westminster

mk174 1880 Oil on canvas 76.2x127cm

23308

rNightfall down the Thames (nn03)

1880 Oil on board 40.2 x 63.1 cm 15 7/8 x 24 7/8 in Leeds City Art Gallery Leeds

44638

Rouce at Night

mk174 1878 Oil on canvas 81.2x119.4cm

44687

Sand,Sea and Sky A Summer Fantasy

mk174 1892 Oil on board 30.5x45.7cm

44649

Scarborough Bay

mk174 1871 Oil on canvas 60.4x90.2cm

44651

Scarborough from Seats near the Grand Hotel

mk174 1878 Oil on canvas 50.8x76.2cm

44698

Scarborough Skyline

mk174 c.1877 Pencil 12.2x18.2cm

44637

Scene at the Theatre

mk174 c.1880-90 Pencil with ink 12.2x18.2cm

44663

Shipping on the Clyde

mk174 1881 Oil on board 30.5x50.8cm

44650

Sic Transit Gloria Mundi The Burning of the Spa Saloon Scarborough

mk174 1876 Oil on canvas 82.5x122cm

44684

Sixty Years Ago

mk174 1879 Oil on canvas 81.3x122cm

44685

Sliver Moonlight

mk174 1886 Oil on cnavas 76.2x63.5cm

1857

Snowbound

1883 Oil on canvas 29.92 x 20.08 in

44629

Snowbound

mk174 1883-4 Oil on canvas 76.2x50.8cm

44654

Spa after the Fire

mk174 1876 Pencil 12.2x18.2cm

1849

Spirit of the Night

1879

44608

Spring

mk174 1875 Oil on canvas 61x91cm

44681

St Anne-s Lane,Headingley

mk174 c.1880-5 Oil on board 35.5x45.7cm

1862

$Atkinson Grimshaw, Stapleton Park near Pontefract$

Stapleton Park near Pontefract

1882 Oil on canvas 20.08 x 29.92 in

44690

Study of Beeches

mk174 1872 Oil on card 42.5x54.6cm

44636

Summer

mk174 1875 Oil on canvas 63.5x76.2cm

44621

Sunset from Chilworth Common

mk174 Hampshire 1868 Oil on canvas 39.5x60cm

88711

Thames

1880(1880) Medium Oil on board cyf

44614

The Bowder Stone Borrowdale

mk174 c.1865 Oil on canvas 40.5x54cm

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Atkinson Grimshaw

British 1836-1893 Atkinson Grimshaw Gallery Grimshaw's primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His "paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene." Dulce Domum (1855), on whose reverse Grimshaw wrote, "mostly painted under great difficulties," captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked until the influence of James Tissot and the Aesthetic Movement. On Hampstead Hill is considered one of Grimshaw's finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons. His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson ?? pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson's poems.) In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that "I considered myself the inventor of Nocturnes until I saw Grimmy's moonlit pictures."[9] Unlike Whistler's Impressionistic night scenes, however, Grimshaw worked in a realistic vein: "sharply focused, almost photographic," his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording "the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry." Some artists of Grimshaw's period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career. Grimshaw died 13 October 1893, and is buried in Woodhouse cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the twentieth century saw a major revival of interest in Grimshaw's work, with several important exhibits of his canon.

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